When we create art, we tend to try to create beauty, don’t
we?
We make a mistake, and suddenly it’s not art anymore: it’s
an accident, a mess-up, a mistake, a problem, a blemish.
It’s…
Ugly.
We hate that word.
Don’t we? Ugly makes our ears ring and our brains wince. We squint our eyes to
try and block it out, turn up our noses and turn down our senses so we don’t
realize it’s there.
Why?
What is so foul and
evil about ugly that we treat it as an
outcast and a grotesque figure of all that is opposite of beautiful.
Ah.
There’s the catch.
You see… ugly and beautiful aren’t the antonyms we think
they are. In fact, they can be synonymous.
A Fact Check
Before you attempt to pull out your dictionary, clear your
throat, and look over your reading glasses at me, let me clear one thing up: I know that standard knowledge and definition
point to beauty and ugliness as two opposites. Therefore, they must be antonyms and must not be synonyms, right?
I get it.
But you know what? Let’s ignore
the dictionary for a moment.
There’s something about our interpretations of the beauty
and ugliness of life that doesn’t seem to fit the definitions in our minds and
in our books. We’ve twisted them – much like all words in a language twist over
time – into something much deeper. That’s what I want to explore. The theme of “beautiful
ugliness”.
Synonyms in Life
There’s nothing wrong with desiring beauty. It’s okay for
you want your art to be beautiful, whatever sort of art it is. However… why not
ugliness, too?
There’s a certain poignancy to ugliness, to a crude drawing
or a smudge painting or a piece of pottery that’s crooked and cracked. There’s
something visceral about a squeaked note on a violin, the dull rumble of
feedback in a microphone pointed at an upright bass. Our guts clench at the
intimacy that ugliness brings.
Somehow, the ugly resonates with us just as much – if not
more – than the beauty. It sticks with us, rings hollowly in our ears for long
after the original sound vanishes.
Can you remember the last movie you watched that you
disliked?
I know I can. I can remember distinctly the last movie I
watched that I felt was… ugly. I found it had poor writing, poor editing, poor
acting, and poorly executed themes.
Oh.
That’s interesting.
We remember the ugly just as much as we remember the beauty.
I can remember clearly the wondrous view of Manhattan from the top of the
Empire State Building, but just as clearly I can remember the homeless man with
the rabid look in his eye and the curse upon his lip as he stumbled through the
crowd clutching at his torn coat.
Here’s the deal: we’re
surrounded by both beauty and ugliness. They blend together so well that it’s
hard to tell where one stopped and one began. Where does artistic beauty become artistic
ugliness?
I’ve found that ugliness is not a synonym for beauty. In fact, the two words applied to art
(especially the art of living) are completely unrelated to one another. Rather,
ugliness in art is a portrayal of
negative emotions, beauty is a portrayal of positive emotions. That is,
from a creator’s point of view, creating ugliness is portraying emotions with
inspire negative reactions. Not always bad
negative reactions, but emotions that people associate negatively with, like
fear and anger and sadness and lies and so on. Creating beauty, on the other
hand, inspires positive reactions: joy, peace, contentment, wonder, truth.
As one who experiences art, ugliness is what inspires negative emotions and beauty is what inspires
positive emotions. This is where the more “dictionary-esque” definitions
start to bleed into the discussion.
Art creates in us emotions: beauty brings positive emotions,
ugliness brings us bad emotions.
Which is better?
Ugliness or beauty?
It’s our natural inclination to lean toward beauty. After
all, we like to be happy and we enjoy peace and we’d rather not be filled with
sadness or abhorrence.
But…
Why can’t we have
both?
Truly experiencing art isn’t just about feeling one thing. Art isn’t just about beauty or just about
ugliness. It’s about weaving
together the truths of reality, the truths of an artistic life by combining the
harsh realities of ugliness and the wistful hope of beauty.
It’s about pulling
from both side of the “divide” and allowing negative and positive emotions to
blend together to the point where it’s hard to see where ugliness ends and
beauty begins.
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