Last week, I talked about culture in worldbuilding, why it
is important, and why it is complex and nearly impossible to create completely.
Today, I’d like to look at one particular aspect of culture as I defined it,
and how one goes about developing it.
The Persons
I mentioned last time that there’s this facet of culture I
like to call the “socio-self” aspect. It’s
the part of culture that requires individuals and their interaction. It’s
the individualism or collectivism perpetuated by society and self.
You’ll find these two parts – society and self – intertwined
in our own world and lives. This part of culture is so important that psychologists
and their studies tell us that society
can have a profound impact on our personality and our actions. In fact, it’s
clear that certain psychological disorders are dependent on the culture. Because
they’re defined by society, these disorders can rise and fall as people define
and redefine what is “normal” and what is “abnormal”. (As a side note, my blog
follows exactly zero of the formal writing styles, so I’m not even sure how I
go about citing sources… But I know this information because of a psychology textbook
by Dr. David G. Meyers. I’m sure it will pop up in a Google search if you’re
interesting… anyway.)
When it comes to writing, what are these two parts
manifested as? Who is the self, and who is the society? In short, your main cast is the self, the rest of the
people are society. In other words, whichever
character you’re following is the self. It’s important to note, however,
that everyone is the self, and everyone
is society. All those other people who pop up in your book are also people.
They have lives and they are complex characters with fears and hopes and
dreams. You can treat them as society only as a whole.
Depending on whom you make the self, society will look
different. We all have unique outlooks on life and on those around us. One of
the hardest things to develop when it comes to culture is how your character perceives
culture and how culture perceives them. It’s certainly a process. A long, long
process.
Two Perspectives
I’d like to give you an example from my writing. In my most
recent project (Agram Awakens), I
have five main characters and seven minor characters whose POVs I use at least
once. Each one of these characters follows an arc that takes place in
completely different countries. They’re all in the same world, and their
stories eventually intersect, but each is hundreds of miles from the other at
any given time. These miles cross political and cultural boundaries, which
means that each character sees and interacts with a different culture. They’re
of different races and religions and family backgrounds and on and on go the
differences. It made writing the book difficult, because I had to undergo a
radical shift each time I wrote a different point of view. In fact, I often had
to stop at the end of one point of view and wait until the next day to start
the next scene, because the mindsets are so different.
It was hard, but this diversity allowed me to explore the
idea of culture in so many ways from so many perspectives. It was one of the
best times I’ve ever had. I wrote from the point of view of a girl who’s been
so pressured by society to be one way that she’s adopted it as herself and when
it’s stripped away from her she doesn’t know how to react, how to be something
other than the self thrust upon her by society.
I got to write from the point of view of a man who was – in essence
– damned by a sect, and from the point of view of someone in that sect who has to deal with racism from the outside. Through
these differing cultural and selves, I was able to touch on such a harsh topic
from both sides of the equation.
How? How did I work my way to a point where I could write
these things?
Personally, I started
with the society. You can start with the self, if you’re more of a
character-based writer. Whichever works for you. I started with the
worldbuilding side of culture and moved on to the personal side of culture.
For me, this meant taking the map I created for my story and
examining it. I took into consideration every country that would become
important in my story or where any scene would take place. Then I developed
basic parts of those countries that shape culture. Of these, the ones that had
the most impact were (in no particular order):
--- Government/Politics
--- Clothing/Fashion
--- Education
--- Familial Relations
--- Religion
--- International Relations
--- Ethics
I wrote down basic notes on each of these things, and then
as I wrote, I let the countries develop further in the creative juices of my
brain.
How do each of these things affect culture? Well, society
creates “norms”, the acceptable behaviors of the individual. Each of the
categories above helps to shape those norms. A place where one religion is
prominent will create religious norms that everyone is expect to follow or at
least pretend to follow. A country where family is vital will form around a
norm where family is close and they probably live in the same house with their
extended family and children are everywhere.
Personally, I suggest developing that short list of basic
notes on each country and then apply
them to your main character. Ask yourself: how does the government of this
country affect my character? How does the lack or excess of education change
the way my character interacts with others?
These things are the beginning of the first part of culture.
The second part of socio-self requires less work for some of
us, and more for the rest. If you’re a wordsmith (a character-based writer),
this will be the easy side of culture. This is where you sit inside your
character’s head and consider all the ways they interact with the rest of the
world. It’s the way in which your character acts in certain circumstances. It’s their prejudice and preconceived notions
and their thoughts on the world and others.
It’s hard to explain how to develop this, because it varies
for each character. It’s that sixth part of character development I mentioned a
few weeks ago. It’s the complexity of interaction that is hard to describe even
for yourself.
Meshing Two Parts
All right. We’ve developed these two parts of culture. They’re
one half of what culture is. How do we make them one complete piece?
It’s simple: write
your story.
Wait what?
Yup.
The only surefire way to mesh the social and the self is to
write it. Write your society and your character interacting. You can’t just jot
down notes, you have to stick your hands
right into the goop and sort it out as you go. You’ll make mistakes, you’ll
have epiphanies. You’ll contradict yourself and you’ll deviate from your notes.
And you know what?
That’s okay.
That’s how true worldbuilding works. Worldbuilding creates a foundation and then morphs itself to fit the
needs of the stories and the revelations of the creative mind. Culture is a
liquid: it’s ever shifting. It sits on the cusp of change: on one side it’s
ready to flash to a gas at one change, on the other it will mold into a solid
with the right pressure. It’s constricted by the view of others, molded by the
thoughts of the self.
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