All plots have arcs.
An arc, in storytelling, is simply a path that a plot or
character follows. When it comes to characters, a ‘character arc’ is how that
character changes over the course of the story. The better the arc, the better
the character.
Plots are similar. Arcs in plots are the changes the plot
experiences as the book advances. If the plot never changes, you have a
stagnant book. Like that mire-y puddle that always collects outside the back door;
it sits there after the rain and does… nothing.
Most books have a “story goal”. This is what drives the
plot. Some arcs involve a change in that story goal, as the character finds
something new to pursue, or the arc may simply clarify what that goal is.
Other arcs change that goal entirely, or introduce a new
one. Subplots are a common example. They introduce a short-term goal, such as
the retrieval of a treasure map in a pirate story, or introduce goals which are
not the main goal, but other goals
that are desirable in addition to said main goal.
Many beginning novelists struggle with the length of their novels. What they hoped would become an average length book turns out to
be a 14,000 word novelette. It’s not a bad thing, but there is a simple answer
to the question “why?”
Quite simply, the novel contains only one arc, maybe two.
The hero is introduced to the conflict, struggles against it, and succeeds in
the end. That is one arc. The plot changes in two places: the first incident
and the final climax. Again, this is not a bad thing. That is the basis of good
story. However, good story doesn’t just stay
at the base of what it can do. Good story exceeds its own foundations, rises
above.
Many of our favorite books, Harry Potter, Lord of the Rings, The Stormlight Archives, and even The Hobbit contain more than one arc per
book. In some cases, there can be dozens
of arcs running simultaneously, as in the case of The Stormlight Archives. Now, dozens of arcs can be overwhelming.
There is a very specific audience which enjoys that sort of book and many of us
do not.
However, including two or three arcs in your story can
increase your word count in addition to increasing the quality of your story.
Let’s return to Addy’s story so I can show you an example of
arcs.
Last week, I edited out clichés and inserted some
plot twists. Many of those plot twists turned into entire arcs in and of
themselves.
For instance, when the invading army drives Addy and the
others into the mountains, an entirely new goal is introduced: survive the
harsh conditions. If this story was a book, that single twist could have added
anywhere between ten and twenty thousand
words easily.
Then, as they search for supplies to last the winter, yet
another arc comes into play: a rebellion. There is a new goal: overthrow the
invaders. All this time, however, the earlier goals - get away from the
invaders and survive the mountains – remain. They all overlap and they
transition into the new arcs with near seamlessness (I say near because this
obviously is an imperfect story that I’m brainstorming as I go for no reason
other than to have an example for this blog series).
When the rebellion fails, an arc comes to a close. The
rebellion arc ends, and the first two arcs again take center stage. Survive the
invaders, survive the winter. Then comes along a new arc: learning to be
assassins. This arc should add plenty
of words and more than enough time (months at the very least) to the story.
Arcs are your friend.
They’re easy to develop because they’re very similar to
extending conflict. In many ways, arcs are the antithesis of victory.
Instead of overcoming the impossible conflicts, the heroine is
introduced to new ones. For every victory, she experiences two defeats.
That’s how a good story shines. It lets us watch as the
heroine suffers defeat after defeat after defeat while giving us just enough
light to never give up hope.
Then, at the very end, when given a choice between two bad
things, we don’t want the story to stop. We can’t
let the story stop.
When Addy has to choose: her family and friends or the
villain’s capture, we don’t know what she’ll choose. We don’t want her to choose. But we can’t let
her not.
All the arcs come to a head at the climax. The more arcs
there are, the more tension and conflict there will be. The reader won’t be
able to stop turning pages because every single scrap of plot and character
development is hinging on this final scene.
And that is why I’m stopping here for the day.
After all, mustn’t give it all away at once, must we?
Does your story have
multiple arcs? When do they converge? Do you have any tips on multi-arc
stories? Leave a comment and share!
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