Does your Heroine ever get too stuck? Does she end up deep, deep within the dungeons of the
evil overlord, who is planning on destroy all that is green in this world? In
fact, he’s doing it right now and
she’s stuck a hundred feet underground. There’s no way out.
The climax is in one chapter, and you’ve got to get her out!
You, the author, are scrambling to find a way to get your heroine out of her
cell, up out of the dungeons, out of the castle, across the countryside, up the
mountain, and all in time to stop the villain from winning.
Phew.
Good luck with that.
As authors, we’re very good at writing ourselves (and our
poor main character) into rather tight corners. The only way out, it seems, is
to write ourselves out.
That’s where it gets
sticky. One of the easiest ways to write oneself out of a corner is to
place a series of convenient happenstances right at the MC’s feet and walk
away. Mission accomplished.
The heroine now has the ability to trick the guard into
coming into her cell, she snatches the keys, learns some quick martial arts,
escapes the dungeons, and uses the evil overlords super, super fast magical
horse to ride to the mountain. After that, she whips out a magic locket that
belonged to her long dead mother (who for some reason held on to it despite it
being… magical?) and uses it to slay
the villain.
Easy as that. Dust your hands and congratulate yourself.
Dues ex Machina. That’s
what you’ve just done. “God in the machine”. You’ve manipulated your story to
get out of unsolvable conflicts.
Eh… let’s see if we
can try something else.
This might entail rewriting and re-plotting large portions
of your novel. That’s okay. Rewriting is
part of writing (if you want to be literal, writing is literally a part of rewriting).
If you don’t have the slightest inkling1 of how
your hero is going to defeat the villain, I suggest these steps:
1. Assess the
situation. Write down all the things that you and your hero can’t overcome.
This can range from being locked in a dungeon to having a phobia of the
villain’s pet praying mantis. List them in order of what needs to be conquered
chronologically in your story. Not in
the order of what is hardest to figure out.
2. List your hero’s
strengths. All of the hero’s strengths are your strengths, okay? If the
hero knows something, has some talent, or is really bad at math, then whatever you write must follow what the main character can do. Even if you have some
fabulous, fully necessary allies, let’s ignore them for the moment.
If your
hero is an expert whittler, but can’t swing a sword for naught, then he can’t escape the dungeon by challenging the head guard to a duel. That
won’t work in his favor.
3. List what
strengths are necessary to win. If your hero hasn’t a single one, that’s
bad. If he has all of them, that’s bad. These
two options make it either impossible or impossibly easy. If he has to be
able to: pick a lock, swing a sword, beat a dragon, and answer a clever riddle,
then he needs to be incapable of at least one.
Maybe two. That makes it seem – to the reader – that the story goal is
impossible to reach.
4. Look to the allies.
Do they have any strengths the Hero needs? Are they willing to sacrifice that
strength to help the hero win? They shouldn’t just happen to have this strength, it needs to make sense. If the
strength is simply convenient to you, it shouldn’t exist.
5. Use the chinks.
Every villain, no matter how good, has chinks in his armor. What weaknesses does your villain have?
If he has none… then it’s time for you to consider a more realistic villain. As
a note: never make this chink the minor
villains. Those poor fellows have struggled enough under the cliché of weakness and ineptitude that has befallen them. Make them better; make your main villain weaker in a different way.
6. Keep us holding
our breath. As the heroine uses a pin from her hair to pick the lock, then
use her womanly wiles to slip the guard, make
us think to the very last second that she won’t make it. The guard will
realize who she is, what’s she’s doing, and ram a sword through her stomach. As
she races (on foot) across the plains and up the mountain, let the storm clouds
gather. It turns out the villain has to wait to a particular day (because he
needs a special weather pattern to unleash his weapon), and it’s the day she
arrives at his camp. His guards attack her, but her ally and mentor have spent
the past few years infiltrating the villain’s hideout. That is, after all,
their job. Her friends take the minor villains while the hero confronts the
villain.
The reader is terrified.
The heroine can’t beat the villain. No
way. He’s basically invincible, and his weapon is about to be unleashed.
All good things end now.
And then she wins.
Your reader is going to be ecstatic. If you can pull it off,
make every single page worth turning, then we’re going to congratulate you.
And if you’ve already done that, then we already do.
What about you? What
corners have your written yourself into - and out of – in your writings? Leave
a comment and share!
No, I’m not talking
about a miniature Lewis or Tolkien. But if you DO have one of those… I’m coming
to visit and poke it with a toothpick.
This is extremely helpful, Bender. Thank you so much :)
ReplyDeleteGood, I'm glad it was, /Lisa/. ;)
DeleteAnd by the way, you certainly may /not/ poke my mini Tolkien. If you'd like to have a cup of tea with us, that would be lovely. But no touching.
ReplyDeleteAw, come on, why not? XP
DeleteBut sure, a cup of tea sounds lovely.
Fine. One teensy-weensy poke. When he's not looking.
DeleteI'll put the kettle on!
When he's startled I'm blaming you. ;)
DeleteCan't say when I'll be there... probably seventeen hundred O'clock sharp.