Who do you write for?
You can find all sorts of inspirational blog posts on the
internet about “writing what you want to read” and “writing for yourself”. I even agree with them, sometimes. The
idea is that it doesn’t matter what others think of your writing, it matters
what you think.
To an extent, that is true.
When you’re just… writing, it’s true as saying “the sky is
blue and grass is green because of the way light interacts with them”. However,
it changes the moment you want to try and publish your writing.
Why?
Turns out, when you want others to read what you’ve written,
it does matter what others think. It
matters a lot. What your publisher
thinks matters, what your agent thinks matters, what the editors and
proofreaders and copyeditors and marketing team and the distributor and so
forth.
What they think matters.
Oh, and what your
readers think matters, too.
When you write, then, you need to know who you’re writing
for. If you try to send a manuscript to the wrong people, they won’t publish
it. If you give your book to the wrong reader, they won’t like it. They don’t
like dystopian thrillers, they like Victorian romance novels. That reader
doesn’t like fiction at all, they prefer non-fiction. And that reader… that
reader reads everything but Twilight and anything that can be compared to it.
Which reader are you writing for, then?
“Oh, but my book will appeal to all audiences!”
No.
No it won’t.
The Truth About Audiences
People are fickle.
We like things and we dislike things for many reasons.
Sometimes, we feel one way or another about something for no tangible reason at
all. I can’t tell you why I dislike the taste of coffee, I just… don’t. But I can tell you that I dislike pure romance
novels because I’m not a romantic in that way. I dislike many of the plot
scenarios and the themes often seem… artificial, to me. It takes a lifetime to
love someone like that, not a brief glimpse in a coffee shop and a hundred
pages of pining.
Not all romance novels are like that, and I’m not saying
that romance novels aren’t good. I’ve read a few good romance novels in my
time. They do exist. It’s my personal
preference to not read them, not a universal rule.
What do you write? Science fiction? Fantasy? Supernatural slice-of-life meets psychological horror? Romance novels?
What your write will be read by different people.
Some people will dislike it when they read it, some will
refuse to read it at all. Does that mean your story is bad? Absolutely not. It means those people didn’t like it.
Big deal, you probably didn’t need them to like your book anyway. Even if they
were your mom.
Yeah… turns out, your mom might not like what you write. If
I had to break it to you… sorry, not sorry. Moms have their preferences, too,
and your supernatural slice-of-life might not be her proverbial cup of tea.
Why don’t readers like your book? Because they’re fickle and have preferences. They’re human.
Choosing an Audience
“But I want all
people to like my book!”
Yes, so I do. Turns out, the world isn’t fair and doesn’t
work that way. You need to choose an
audience. I’m not saying this is the final say in who will read your book.
If you choose “14-year-old girls who enjoy doing their hair and dreaming of
adventures”, that doesn’t mean only that type of person will pick up your book.
The 15-year-old girls will still read it, the 20-year-old girls might indulge
themselves, the 10-year-olds will feel so old and mature and special getting to
read a book for “older girls” and you might even get a random guy to pick it
up.
Picking an audience
doesn’t exclude people. Instead, it
hones your focus and allows your publisher to decide how to market, how to
design the interior and exterior, how to edit, and even whether they want your
book at all. The people out in the real world won’t care to much about your
target audience so much as they will care about the genre, the cover design,
the synopsis, and the first few pages.
So.
How do you choose? And how specific do you have to be?
A great way to start is to look at your protagonist. Who are they? List their age, gender, race, and
hobbies.
These things don’t necessarily define your audience, but
they can help. Your audience will easily identify with someone who matches them
in several of these categories.
Again, this is the
final say. Male readers will read female protagonists (myself, I enjoy them
almost equally, if I don’t like reading from a female POV more), and older
readers won’t put a book down because the main character is ten years their
junior.
But these four areas are a start.
As we go, I’ll use my current WIP, Agram Awakens, as an example:
-
The six main character have ages that range from
15-42. The two foremost characters, however, are ~27, so we’ll say my target
age is 25. (Which falls under Adult fiction, I believe.)
-
Of these six character, four are male, two are
female. While my target audience is fairly gender neutral, I want to be
specific, so I will say my target gender is male.
-
I can’t pinpoint a race based on my
protagonists, since half of them aren’t even human and the other three are
either Caucasian or Arabic (based on this world’s defining of skin color). This
category is less necessary to define well as the others.
-
With six characters, you end up with eighteen or
more hobbies to dig through. However, I know what my audience will enjoy, so I’ll say my target audience’s hobbies include:
reading, watching sci-fi/fantasy movies,
cosplaying (optional), and being proud nerds. (So… basically me.)
Is this my target audience? Perhaps.
Let’s look at a few other things. One of the fastest ways to
rule out a target audience is to look
at the major themes in your book.
Not just the premise style themes
like “little guys can do big things, too” or “courage overcomes cowardice” that
represent the ideals, but the bigger,
vaguer ideas you tackle.
For instance, most kids age eight-twelve aren’t ready to
deal with a harsh and realistic look at themes like racism. They might
understand them, but not fully, not yet. I wouldn’t suggest that a
nine-year-old read Black Like Me by
John Howard Griffin. Not because it’s a bad book (it’s actually really good),
but because it takes a certain level of maturity to be able to deal with that
sort of thing (I read it when I was fifteen, and it was hard because of how ugly the themes were).
On the opposite side, not all older readers are interested
in reading “fluff”, as they’d term it. Some older readers (especially in their
late twenties) prefer grittier stuff. They want to have to wrestle with what
they read. I’m that way. So a book about achieving peace through spreading joy and
happiness and making enemies love each other won’t fit up their alley in the
way of themes, unless you somehow twist it into something a lot less rainbow
and unicorn that what it sounds like. Those can still be good stories, but not
necessarily for that reader.
So what are your
themes?
Let’s look at Agram
Awakens again, to find a few examples:
-
Racism isn’t a strong theme yet, but it’s being
set up for book two. I’d say most readers could handle it at this point in this
book, and so can’t help me define it.
-
Violence (including the argument for pacifism)
is a very strong theme throughout. I’m not talking about content, just yet, but
the idea of it. Some younger readers might find this disturbing (I’d say… under
twelve).
-
Religion/Belief/Faith also has strong
undercurrents. Several of my characters struggle with their beliefs in one god
or another, and there are instances of persecution/hate of people simply for
their religion. I don’t necessarily get philosophical with it, but it is there.
Younger readers might miss these ideas completely, or be confused by them, and
I might make a few older readers disgruntled.
You’ll notice that these three (there are more, I just
pulled out the first three I thought of) themes seem to point toward the same
target audience that my protagonists point toward. Themes often produce vaguer
target audiences (like mine seem to give the age range of 13-50), but they are
a good starting point when your protagonist doesn’t seem to fit the mold of the
audience you want.
The last thing I’ll highlight is the idea of looking at books like yours. Go out,
find your genre, and look at books similar to yours. Books that have
protagonists of similar ages and genders, books of approximately the same
length (you’d be surprised how length can affect someone’s willingness to
read), books with similar covers (if you have a vision for what the cover could
be), and so forth.
What is their
audience?
Agram Awakens is
similar to several books, including:
-
The
Stormlight Archives by Brandon Sanderson
-
The Wheel
of Time by Robert Jordan
-
Sailing to
Sarantium by Guy Gavriel Kay
-
The Lord
of the Rings by J. R. R. Tolkien
(As a quick side-note before we continue, I would like to
caution against comparing your book
to Tolkien as if it will somehow… help you. When I see a book compared to
Tolkien in any reviews, the bar I set is so high they can never attain it. The
only reason I compare Agram Awakens
with Tolkien is because they’re similar in size and genre and target audience.
I wouldn’t dare to put myself on the same level as Tolkien, not yet… I’m not
experience enough to be that good. Actually… I’m not good enough to seriously
compare the quality of my writing to
any of those authors, yet. Anyway…)
What is the target audience of those books?
Turns out, they’re all very similar to the target audience
of Agram Awakens (hence why I chose
them… I’m so clever).
Other ways you can look to narrow down your audience are out
there, such as look at potentially objectionable content (young readers don’t
like violence, per se, some ages/people groups won’t like language or alcohol
content, others won’t read books with sexual content, etc.), to look at your
own hobbies and favorite books (you tend to write your own likes and dislikes
into your writing), to ask others what they think your target audience is, and
so forth.
The Purpose of a Target
So. We’ve chosen a target audience for our books. Mine
appears to be “adult males who enjoy fantasy/sci-fi and long books)”, yours may
be different (it’s probably different).
What now?
Obviously, this audience won’t be the only people who read
your book. As proof of this fact, Agram
Awakens currently has five beta readers. Of those five… one of them is
male. It’s mostly coincidence, because those five just happened to be people I
knew who were interested and had time to read and give me advice they’re
thoughts.
At the same time, however, it goes to show that your target
audience doesn’t constrain your
readers, it does something else.
It focuses you.
If you know you’re not writing to eight-year-olds, you don’t have to worry
about the depth of heavy, mature themes quite so much. If you’re writing a
romance novel, you know you have permission to have characters fall in love
(duh). If you know you want to write to the inner city kids, you know you need
to write a protagonist who is like them.
In addition, your target audience helps your potential publisher. I’ve already
mentioned this, but your publisher wants to be able to sell your novel. To do
that, they need to know who to sell it to. They can’t do that without a target.
It’d be like entering an archery contest that has no bullseye for you to aim
at. You’re shooting wildly, hoping you hit the spot the judges wanted you to. Some
publishers will reject your manuscript simply because they can’t publish to a
certain group, because they don’t have the time and resources. That’s okay:
someone out there does.
Your target audience
does not constrain you. I hope I got that across and said it enough times. People outside your target will still read
your book. The specific target audience you pick is kind of like the center
of a bullseye target. It’s what you’re aiming
at. Some arrows will hit the rings around it, some will hit dead center. Others
might bury themselves into the ground around the target.
That’s okay.
The bullseye is what
you’re shooting for, but the rest of the target is still fair game.
Focus is the point. Knowing who you’re
telling the story for and writing for them
is the point. Writing for you is always good, but knowing what others want is
what helps you succeed in writing well.
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