I’ve been around a lot of writers.
Having critiqued their work, even just being exposed to
early manuscripts, I have found a very common theme: Very, very few early
drafts are written under the final title. Some don’t even have a title.
Why?
Because finding a title is hard. It’s one of the hardest things writers have to do, sometimes.
Well, most of us. I rarely have problems with titles: they
just… come to me. Sometimes I get the title before anything else. Or else the
title just… happens.
That’s not true of everyone. I know a lot of writers who
write amazing first drafts, but they agonize over the title for days and days
and come up empty-handed, or else with titles that they hate.
So. How do you title when it’s hard?
The Importance of a Title
When it comes to getting readers, the title is the most
important aspect. More important than cover art, more important than the
backcover, in on aspect: it’s the first
thing your reader sees. If you want down the aisles of a library, what do
you see?
The spines of books, right?
More specifically, you see the titles on the spines of
books. (To be sure, there are those few books where the author’s name is bigger
than the title… that’s because the name of the author is so well-known that
their name will draw more readers than the quality of the story… sad as that
is.)
If I don’t like your title, if I’m not interested in your
title, I won’t look at it. Even if it turns out that your novel is fantastic. I won’t know, because I won’t
pull the book off the shelf.
What do we do? If the title is so important to getting
readers to pay attention, how do we form a title so attention-grabbing?
I’d like to look at three things that can help you find a
title. A good title.
Tipping your Hat to your Genre
Each genre has these… unspoken “customs” about titles. When
you look at scientific books from then 1700s, you’ll find names longer than a
yard stick and rather overwhelming (such as the actual title of The Origin of Species or maybe any book
from this tumblr blog.)
Take a look at modern thrillers/dystopians, and you’ll find
single-word titles that are "cool" right now (Leviathan, Allegiant,
Mockingjay, It, Room, and Watchmen
come to mind).
Historical fiction novels often have peaceful titles or else
thought provoking phrases that come straight from the text. (Across Five Aprils, Carry on, Mr. Bowditch,
To Kill a Mockingbird, Old man and the Sea, and War and Peace are good examples.)
Fantasy novels often include prepositional phrases and odd
sounding words straight from the world they’re set in. (Way of Kings, Crossroads of Twilight, Knife of Dreams, Lord of the
Rings, Well of Ascension, The Tale of Despereaux, and so forth.)
So. What genre is your book?
I’m not saying you should always conform to what your genre
drifts toward, but it’s a good place to start. In fact, I rather dislike
single-word titles that consist of nothing but an adjective or pronoun. I’d
rather something more thought-provoking than “Green” or “Superfluous” as a
title.
Start with the genre,
and branch out from there.
Take cues from your genre. But don’t be content with them.
It’s okay to be different: just don’t forget that it’s okay to give your reader
a hint that “oh, this is a scientific journal from the eighteenth century I
don’t really want to read this”.
Themes and Thoughts
If your genre isn’t helping, try this simple exercise: take
out a sheet of paper (or a clean word document) and stare at it for a long
time.
Er…
Write down words and
phrases that sum up the important pieces of your novel. This will feel kind
of like writing a synopsis (ew), but don’t worry about cohesion. Don’t worry
about making it flow or getting the right
words.
Just write.
For instance, one of the first things I did last year before
NaNoWriMo was take out my “idea notebook” (a 5x8 little notebook I jot note
down in when I’m in a hurry/need a place to write something/have a poetry I
need to get out/etc) and start writing random ideas.
The very first thing I wrote was this:
“Barnslow Died. Not
just a regular death, he Died real good.”
When I wrote that, I sat and stared at it for half a minute
going “what in the world does that mean?” Then I moved on and kept
jotting down ideas.
A month and a half after writing that, I had a finished
first draft titled Barnslow Died.
Something tells me that the title won’t change.
Another instance would be my current project Agram Awakens. I’d already done a bit
of outlining and character development, but it was still labeled [unnamed] and
I hadn’t the slightest idea what I wanted to call it. I’d drawn a map, started
worldbuilding, and even had a basic plot.
This was one of the first stories where I had to search for a title. I ended up writing
the SYNOPSIS before the title.
And I never do that.
Actually… I don’t write synopses that often anyway.
Turns out, I drew the title right from the synopsis, right
from the last two words of said synopsis.
The more I write – the closer I get to finishing – the more
I realize how much this title fits the atmosphere of the book and the most
important plot-threads.
So jot down random things. Write the theme of the book, if
you have it already. Write the names of important characters and places, write
down what you hope your reader comes away with. Scribble the things your reader
needs to know by the end of the first
chapter.
If you’ve already finished the story, go through the first and
last chapters and jot down key words and phrases.
Once you’ve written down all of these things, look for common threads. If the same
series of words keeps showing up, you might consider using them.
Often times, you’ll find words while doing this that just
feel right. A title that fits your
story will make you feel comfortable. If
the title of your story creates friction inside of you, then it’s the wrong
title.
Specificity over Vagueness
A common theme I’ve found while looking at new writer’s
titles is a vague quality in their titles. It’s like they’re afraid of giving
away too much of their story by being specific.
Don’t.
Good titles are
specific.
Does “To Almost do
Something Hurtful to a Species of Bird” sound as good as “To Kill a Mockingbird”?
Maybe, I dunno.
If nothing else, they sound like totally different books,
and most certainly different genres. The first sounds like a middle school book
about a brat and his friends who learn about why animal abuse is wrong.
Even when a good title is vague, it’s still vaguely
specific. Take “A Wrinkle in Time” as
an example. That’s not overly specific, but it’s most certainly not as vague as
it could be. It sets up the tone of the book and important ideas without
spoiling everything for us.
As a general rule of thumb, there are few ways you can spoil a book in the title. Unless you
spell out the entire plot on the front cover, a specific title won’t ruin your
story. Paradise Lost is a very
specific title and it tells us exactly what happens: paradise is lost.
But at the same time, it doesn’t tell us how, why, where,
when, and what takes place beforehand.
Sure, paradise is lost, but when the reader starts the
story, they probably already know that, because the story itself is so well
known.
Don’t be vague.
Before I give you this list, I want to give you a
disclaimer: I’m NOT saying you should never use these words. But they are
commonly used, vague, and in some cases cliché. Rather, I’m suggesting that you
be wary when considering the following words for use in your title:
- Courage (or Bravery)
- Adventure
- Dragon(s)
- Fight (or Battle or anything like that)
- Destiny (or Fortune)
- Home (especially when used in a Romance genre setting… so overused)
- Dark
- Club/Society/Group
- [insert latin-sounding word]
Again, I’m not saying you shouldn’t use these words, but… they’re so overused and so common and vague.
You can find dozens of articles online about “cliché titles”
if you really want to go looking for more ways that your title is cliché, but
that’s not really necessary.
If you’re specific, you probably avoid the worst of the
clichés.
For instance, one of my future projects is titled The Biography of a Very Bad Man. Several
of those words are rather cliché, but when combined they aren’t quite so bad. A Merchant’s Guard – one of my finished
works – sounds vague, but it’s also oddly specific – it’s not just about a
merchant, or a merchant’s guards, but one guard in particular.
Of course, looking back on this novel from a few years in
the future, it’s about a rather pathetic merchant’s guard who is rather full of
angst and he needs a week in the marine’s boot camp to stiffen him up a bit.
But that’s beside the point, right?
When the Title Comes First
Have you ever had the title come before everything else?
Some people haven’t, and that’s okay. It’s not a bad thing,
not at all.
I’ve had this happen several times and I want to give
warning: don’t always trust that title.
I have a thriller/sci-fi novel sitting on the back burner titled Three. The title came at the same time
as the phrase which holds the whole plot together. I’m not sure the title will
work, however… or the entire plot. The real point is, when and if I write this
story, it will need a new title than the one that came with it.
Other titles that come first, however, just fit. One of my favorite manuscripts is Asher’s Song. The title came before any
of the story, and sounds… kind of like the perfect title for a contemporary
romance story about a guitarist/composer who meets a creative girl who has
depression.
In reality, it’s a steampunk-dystopian that flips dystopian
clichés on their heads. Yay.
However… I had no idea what Asher’s song WAS. Even as I
plotted and developed characters, I had no song, no inspiration for one. Oh
well.
I started writing (I wrote it for NaNoWriMo in 2014) without
a single idea for the song. Turns out, the song was a literal song, better
known by the title “Ode to Veron”. I ended up weaving this song into the story
and it worked, without my even realizing it.
When your story comes with a title, don’t be afraid, but
don’t be too happy either. Be prepared
to change it, should the story call for it. But also be prepared to let your story shape itself to the title.
The title is always important. It’s the first thing your
reader sees, the thing that makes us decide “okay, I’ll pull that off the
shelf”.
Without a title, we’ll never notice that you have a story.
A good title grabs my attention and promises me something
new and exciting, something that will tell me a wonderful story and create
emotions and tension and conflict and completion.
Does yours?
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It's okay to be Afraid... (Sarah Elizabeth)
*chuckles* Actually, I'm with you on this one. Titles have always been ridiculously easy for me to come up with. Granted, not all of them are brilliant, but then, sometimes the simplest titles make the biggest impact. This is a rather embarrassing fact, but sometimes I come up with a title before I even get an outline written out...let alone know how the story is actually going to end. *sigh*
ReplyDeleteIt helps when other friends come to me in anguish, trying to figure out a title, cause I can usually plop a few down within five minutes. :)
Ha, I'm the same - most of my titles come before the rest. Like "Asher's Song" and "Barnslow Died" and... yeah. Almost all of them.
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