Last week, I mentioned a post where you’d get to see a
picture of my outline. Well, that’s this week’s post:
There, now you’ve seen it. Isn’t it pretty? All the little
colors and things.
I’ve not come to really talk about that outline. Yet.
Instead, I’m here to express why I think (and why I think
you should think) outlines are good things. Brilliant things. FANTASTIC things,
even.
Close your eyes and think back to when you first had to
write papers for school. No, not the single paragraph ones, the ones where you
had at least three, with maybe an opening and closing paragraph.
Yup, I can see you shuddering from here.
Myself, I took this course called IEW (Institute for
Excellence in Writing) in middle school/elementary years. Hated it with all my
heart, soul, mind, and strength. In fact, it made me loathe anything related to
writing. Period.
Besides the painful checklist making sure you had all the
right ‘decorations’, the course made you do these ‘step outlines’, which is
basically outlining every single sentence. For years after we finally stopped
using this curriculum, I couldn’t stand writing, and I wouldn’t be found within
ten feet of an outline.
So when you flinched at seeing the title of my post, I
empathize with you. I understand. Outlines are scary, scary things.
However, I have discovered they are very useful and widely
applicable. I want to focus now on why they’re useful in writing:
First, outlines save time. The outline in the picture above
took me roughly three days (maybe two
hours a day?) to finish. That’s three days’ worth of writing time that will
eventually save me hours and hours. When I start writing that novel (which I
should be starting pretty soon), I won’t have to stare at my computer screen
wondering what comes next. I already know, and it’s plastered to the wall above
my bed to keep me from forgetting.
Second, outlines can be fun. Look at that picture again. It’s
a bunch of colorful sticky notes stuck to a pegboard that (previously) held a
bunch of weapons1. It’s fun to look at, and makes people who see my
room interested in my writing. That’s a plus, in and of itself.
Lastly, outlines help you see the big picture. You have this
great idea you want to write and polish and share with the world, but what happens
when you don’t know how to get it there? The most common area of a novel in
which people sputter to a halt and stop writing is the very middle. It’s
commonly accepted as the hardest part to write, and some authors will write the
beginning and end first, because they’re the easiest. All the good stuff
happens in those parts. An outline, however, will keep that middle part strong,
because you know what you want to happen in those dreaded middle chapters.
Creating an outline isn’t hard. In fact, here’s a simple
list of tips for making an easy outline:
1. Make it colorful. An outline in black in on white paper
(I suggest a hardcopy version rather than a computerized one, because it’s
easier to seen everything at once, but it works either way… also easier to
shuffle around) will kill you in a heartbeat. So instead of monotones, pick
bright colors, like sticky notes or those weird notebooks with colored paper in
them.
2. Make it comprehensive. You know all those colors I said
you should have? Don’t pick them at random. Be a little OCD (it’s okay, guys,
OCD is good for some things, I promise), and designate each color to a specific
thing. For instance, I organized my outline by character. Because this project
is huge (it’s got six main characters), I assigned each character a color, and
used that color whenever the character showed up in a chapter. Then, I used
those little skinny ones to indicate when a chapter ended (and wrote the
chapter number on it). Maybe you need something like that, or maybe you need
bright orange ones for moments when a character dies, and dark red ones for
when the villain has his moment of glory, and light blue ones for parts where
the mentor shares sage advice.
Whatever you do, make sure it makes sense to you. Oh, and
make yourself a little key to stick nearby, in case you forget2.
3. Make two.
Whoa, now, that’s a lot of work! TWO OUTLINES? That’s ridiculous.
Well, not really.
Start with what I call a “summary” outline. A simple
structure that summarizes what happens when in what order. Sticky notes with
one-three sentences saying something like “Taynan is betrayed by the resistance
group and deported to Ghine. Ending on ship.” That’s not very clear, but it
sums up what I want to happen in this scene (spoiler alert, that’s an actual
note in that outline).
Then, maybe even as you’re starting to write, make another
outline I call a “step” outline. Take a chapter (chapter one is a good one to
start with), and copy your summary outline’s sentences for it. I like using
mini notebooks for these sorts of outlines. Then, below these summary
sentences, use bullet points to create a list of actions that will get the
characters from beginning to end. This still doesn’t have to be super detailed,
and you don’t have to outline every sentence. Here’s a sample:
Chapter 19:
“Bea in captivity”
-tries to escape during storm
-makes it out of camp, almost washed out to sea by gale
-saved by bandit, taken back to the camp
It’s just that easy. Thanks to this simple step outline, I
have a very clear idea of what’s happening when, and how I get there.
And that’s it. All I got for you.
I could launch into a motivational speech, but I forgot
where I put the one for today. Sorry.
What about you? Do you like to outline? How? Leave a comment
and share! (no really, I’d love to chat about outlines with you because…
outlines)
1yes, I have a pegboard for weapons
that’s now holding an outline… but it’s still got a weapon on there, all the
same.
2if you’re lucky, no one will notice
the key, and will be confused. Then your younger sister will finally piece
together how your outline works, only to give you a dumbfounded look when you
point out the key. True story.
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